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It also has extensive coverage of ancillary activities such as stretching and preparing canvas, care and maintenance of tools, and conservation of older paintings. Originally published in 1940, the Handbook was referred to as "the painter's bible" at the time, [ citation needed ] and still remains on the reading list in American universities. [ 2 ]
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Sizing is used during paper manufacture to reduce the paper's tendency when dry to absorb liquid, with the goal of allowing inks and paints to remain on the surface of the paper and to dry there, rather than be absorbed into the paper. This provides a more consistent, economical, and precise printing, painting, and writing surface.
This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation. The stretcher bars are often thinner, and the canvas can be secured at the sides with staples or tacks as the frame will hide them.
Canvas can also come in the form of canvas board. As with all parts of a painting, deterioration is inevitable. Re-lining or lining treatments was used to added support to the original canvas until it was determined that it created more damage. Strip-lining is now used instead. Strip-lining involves reinforcing tacking that has weakened.
Canvas has to be sealed against the oil, which will eventually rot the canvas. Yep, linseed oil (made from flax) will rot linen (made from flax). Strange but true. The sealer is called a "size." The traditional way to prepare canvas is to size it with rabbit skin glue, to seal it against the oil, and then coat it with an oil based ground.
However, patches are sometimes applied to strengthen specific areas of a canvas. [8] Strip linings can be added to reinforce the margins of a painting. This practice is important as the margins of a painting are often more damaged than the rest of the canvas. [2] Strip linings strengthen the edges of the canvas so that they can withstand re ...
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