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The Knickerbocker group is seen to have had a “profound influence on American Romanticism.” [22] In the early nineteenth century, the Romantic literature industry was expanding due to developments in Antebellum literary culture caused by increases in production, distribution, and consumption of books and periodicals. [23]
Irving also championed America's maturing literature, advocating stronger copyright laws to protect writers from the kind of piracy that had initially plagued The Sketch Book. Writing in the January 1840 issue of Knickerbocker, he openly endorsed copyright legislation pending in Congress. "We have a young literature", he wrote, "springing up ...
The Knickerbocker or New-York Monthly Magazine (1833–1865), a literary magazine founded by Charles Fenno Hoffman; The Knickerbocker Gang, a series of children's books by Austrian writer Thomas Brezina, and a TV series based on the books; Knickerbocker News, a newspaper in Albany, New York published between 1843 and 1988
The fictional "Diedrich Knickerbocker" from the frontispiece of A History of New-York, a wash drawing by Felix O. C. Darley. Diedrich Knickerbocker is an American literary character who originated from Washington Irving's first novel, A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker (1809).
Knickerbocker was also an imaginary personage created by Washington Irving to promote his new book at the time, A History of New-York from the Beginning of the World to the End of the Dutch Dynasty. The work was a satire of both history books and the politics of the time. Irving published the work in 1809 under the pseudonym "Diedrich Knickerbocker
Stanley Thomas Williams and Tremaine McDowell, editors of the 1927 edition of A History of New York, called this the most intelligent review of the book since its release in 1809. [9] The book loosely inspired the musical Knickerbocker Holiday. In 2005, reviewer Christine Wade described the book as satire and not being a modern novel. [10]
As this is a location-based series of character sketches, there are a number of individual plots. The tales centre on the occupants of an English manor (based on Aston Hall, near Birmingham, England, which was occupied by members of the Bracebridge family and which Irving visited).
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