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Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.
Cantilevered structures, acute angles, illuminated plastic paneling, freeform boomerang and artist's palette shapes and cutouts, and tailfins on buildings marked Googie architecture, which was contemptible to some architects of then-current High Art Modernism, but had defenders during the post-Modern period at the end of the 20th century. The ...
Elizabeth McCord (January 30, 1914 – April 18, 2008) was an American modernist painter whose colorful biomorphic and architectural abstractions influenced the hard-edge movement of the 1950s and were uniquely poised at the intersection of Southern California’s thriving mid-century art, design, and architecture scenes.
Despite their lack of ornamentation, multiple Mid-century modern designs, like Lucienne Day's textiles, Charles and Ray Eames's Hang-It-All coat hanger (1953), or Irving Harper's Marshmallow sofa (1956), are decorated with colours. Aside from individual objects, mid-century modern interiors were also quite colourful.
Until the mid-20th century, picturesque yellow ochres were traditionally divided into fawn, yellow, saffron yellow, golden and orange. In the modern artist's palette, four types of nominal yellow ochre are most often encountered: light, medium, golden and dark.
Villa Göth (1950) in Kåbo, Uppsala, Sweden."New Brutalism" was used for the first time to describe this house. The term nybrutalism (new brutalism) [19] was coined by the Swedish architect Hans Asplund to describe Villa Göth, a modern brick home in Uppsala, designed in January 1950 [11] by his contemporaries Bengt Edman and Lennart Holm. [12]
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