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All songs on this record have historical themes, each song representing a decade of the 20th century. The final song, "Nostradamus," is about the famous supposed prophet and his prophecies. In the programme for the UK concert tour that promoted the album, Stewart is quoted as saying "My first four albums have been, for me, an apprenticeship.
Prophecies of Nostradamus was released theatrically in Japan on 3 August 1974 where it was distributed by Toho. [3] Toho released their 90-minute international version in the United States on 13 July 1979. [3] It was later released to television by United Productions of America as The Last Days of Planet Earth with English dubbing. [3]
Pages in category "1974 soundtrack albums" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. C.
Nostradamus, a 2008 album by Judas Priest; Nikolo Kotzev's Nostradamus, a 2001 rock opera "Nostradamus", a 1973 song by Al Stewart from Past, Present and Future, later covered by Manfred Mann's Earth Band as "Eyes of Nostradamus" on Somewhere In Afrika
He recalled having read about such an event in Nostradamus’ quatrains. In 1973, he published a book named "ノストラダムスの大予言" (Nostradamus no daiyogen; "The Prophecies of Nostradamus"), which introduced Nostradamus and his prophecies to a mainstream Japanese audience. [4] A film version was released in 1974.
A YouTube user also falsely claimed that Nostradamus predicted a 9.8 earthquake would hit California on May 28, 2015. Fact check: Claim about FBI official who said bureau recovered no guns at ...
Frontman Jock McDonald. The Bollock Brothers are a British band formed in 1979 by the London promoter, DJ and manager Jock McDonald. They are best known for their English-language cover of Serge Gainsbourg's song "Harley David (Son of a Bitch)" (originally in French) and Alex Harvey's "Faith Healer".
Burnel's lyrics were inspired by Nostradamus' predictions that there would be a cataclysmic event at Toulouse, and he wrote the song as a “goodbye” to the town. [4] The song begins with Dave Greenfield 's signature organ effect, shifting up and down in tone until the drums, bass, guitar, and keyboards all eventually come in throughout the song.