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The Mask of Agamemnon is a gold funerary mask discovered at the Bronze Age site of Mycenae in southern Greece. The mask, displayed in the National Archaeological Museum of Athens , has been described by the historian Cathy Gere as the " Mona Lisa of prehistory".
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
According to him, “There have been other gold masks discovered, but all of them are made of foil-thin gold. Gold masks with this shape and weight are absolutely unknown.” Teres I (Ancient Greek: Τήρης, Ancient Greek: [tɛ́ːrɛːs]; reigned 460–445 BC) [1] was the first king of the Odrysian kingdom of Thrace.
The Ancient Greek term for a mask is prosopon (lit., "face"), [16] and was a significant element in the worship of Dionysus at Athens likely used in ceremonial rites and celebrations. Many masks worshipped the higher power, the gods, making masks also very important for religion.
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Masks can also be used as a dramatic tool, e.g. lowering the masks shows reflection, raising the mask shows a challenge or superiority. The Greeks called these physical stances schemata (forms). Silent masks were used to great effect, particularly on child actors, expressing powerlessness, bewilderment, vulnerability, etc.
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