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Gold lunula from Blessington, Ireland, Late Neolithic/Early Bronze Age, c. 2400BC – 2000BC, Classical group. A gold lunula (pl. gold lunulae) was a distinctive type of late Neolithic, Chalcolithic, and—most often—early Bronze Age necklace, collar, or pectoral shaped like a crescent moon.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Gold Celtic torc with three "balusters" and decoration including animals, found in Glauberg, Germany, 400 BC Depictions of the gods and goddesses of Celtic mythology sometimes show them wearing or carrying torcs, as in images of the god Cernunnos wearing one torc around his neck, with torcs hanging from his antlers or held in his hand, as on ...
Victorian web, gallery of "Victorian Jewelry: Celtic Revival Work in Ireland" Treasures of early Irish art, 1500 B.C. to 1500 A.D. , an exhibition catalogue from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Penannular brooches (cat. no. 40, 41, 42, 46–52)
The jewellery consists of a necklace, three pendants and a fibula (brooch), all made from gold. [2] The fibula is of particular interest because it is decorated with a human head in the style of the La Tène culture, associated with the Celts, showing Celtic or Celtiberian influence on the Iberian societies of the east coast of the peninsula. [3]
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