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The vestments controversy is also known as the vestiarian crisis or, especially in its Elizabethan manifestation, the edification crisis.The latter term arose from the debate over whether or not vestments, if they are deemed a "thing indifferent" (), should be tolerated if they are "edifying"—that is, beneficial.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
Historians now generally reject the idea that before the 1620s and the influence of Arminianism in the Church of England there were significant differences in doctrine between English Puritans in general, and other English Protestants. Puritans were in practice known as "zealous Calvinists" fond of preaching. [4]
In the 17th century, the word Puritan was a term applied not to just one group but to many. Historians still debate a precise definition of Puritanism. [6] Originally, Puritan was a pejorative term characterizing certain Protestant groups as extremist. Thomas Fuller, in his Church History, dates the first use of the word to 1564.
Like Puritans, most English Protestants at the time were Calvinist in their theology, and many bishops and Privy Council members were sympathetic to Puritan objectives. The major point of controversy between Puritans and church authorities was over liturgical ceremonies Puritans thought too Catholic, such as wearing clerical vestments ...
The liturgical vestments of the Christian churches grew out of normal civil clothing, but the dress of church leaders began to be differentiated as early as the 4th century. By the end of the 13th century the forms used in the Roman Catholic and Eastern Orthodox churches had become established, while the Reformation led to changes in Protestant ...
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely, which derive from the romanticized style originated by Anthony van Dyck in the 1630s. The clothing in these portraits ...
Other groups also make use of vestments, but this was a point of controversy in the Protestant Reformation and sometimes since - notably during the Ritualist controversies in England in the 19th century. Clerical clothing is non-liturgical clothing worn exclusively by clergy. It is distinct from vestments in that it is not reserved specifically ...