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The Mangal-Kāvyas usually give prominence to a particular deity amalgamated with a Vedic or Hindu mythological god and the narratives are usually written in the form of verses. Manasā Mangal , Chandī Mangal and Dharma Mangal , the three major genus of Mangal-Kāvya tradition include the portrayal of the magnitude of Manasā , Chandī and ...
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The texts of the Dharmamangal comprise two narratives, . the narrative of the Puranic king Harishchandra, his queen Madana and son Luichandra.With the grace of god Dharmathakur, Harishchandra was blessed with a son Luichandra, with the condition that the son would be given away to the cult of Dharmathakur.
Ketakadas Kshemananda was a 17th to 18th-century Bengali poet who wrote Manasar Bhasan, a version of Manasa Mangal Kavya. [1]Manasar Bhasan was part of a Bengali poetic and performance tradition, Mangal Kavya, that was popular in the 13th to 18th centuries, involving sung poetry and religious worship.
Manasamangal Kāvya (Bengali: মনসামঙ্গল কাব্য) is recognized as the oldest of the Bengali Mangal-Kāvyas, chronicling the establishment of the snake-goddess Manasa's worship in Bengal. Initially, Manasa was worshipped by the Dravidians, who hoped she would safeguard them from snake-related dangers. The goddess holds ...
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The Chandimangal (Bengali: চণ্ডীমঙ্গল) is an important subgenre of mangalkavya, the most significant genre of medieval Bengali literature.The texts belonging to this subgenre eulogize Chandi or Abhaya, primarily a folk goddess, but subsequently identified with Puranic goddess Chandi.
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