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A distinguish between fully autobiographical novels explained above, and semi-autobiographical novels can be made. The latter, also known as a roman à clef, are fictional works based on the author's own life. Sylvia Plath's The Bell Jar is often considered to be an example of a semi-autobiographical novel. [3]
The term "fictional autobiography" signifies novels about a fictional character written as though the character were writing their own autobiography, meaning that the character is the first-person narrator and that the novel addresses both internal and external experiences of the character. Daniel Defoe's Moll Flanders is an early example.
Biography: a written narrative of a person's life; an autobiography is a self-written biography. Memoir: a biographical account of a particular event or period in a person's life (rather than their whole life) drawn from personal knowledge or special sources (such as the spouse of the subject). Misery literature; Slave narrative. Contemporary ...
Life writing is an expansive genre that primarily deals with the purposeful recording of personal memories, experiences, opinions, and emotions for different ends. While what actually constitutes life writing has been up for debate throughout history, it has often been defined through the lens of the history of the autobiography genre as well as the concept of the self as it arises in writing.
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Max Saunders defines autobiografiction as a genre of autobiographical fiction that was developed between the 1870s and the 1930s, [2] and was frequently explored by modernist writers. According to Saunders, the commonly used term autobiographical fiction is insufficient to describe the special connection between modernism and autobiography. [2]
The close relationship between writers and their work relies on ideas that connect human psychology and literature and can be examined through psychoanalytic theory. [3] Literary biography may address subject-authors whose oeuvre contains a plethora of autobiographical information and who welcome the biographical analysis of their work.
After the controversy over credits for Wag the Dog, [n] Mamet decided to attach his name only to movies on which he is the sole writer. [68] A disagreement over the 2–1 arbitration decision denying George Clooney a writing credit for Leatherheads led Clooney to become a financial core member of the WGA, rather than an active one. [69]