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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
A Luckenbooth brooch is a Scottish heart-shaped brooch. These brooches often have a crown above one heart, or two intertwined hearts. They are typically made of silver and may be engraved or set with stones. The name comes from the Luckenbooths of Edinburgh, where jewellery and trinkets used to be sold, including this type of brooch. [1]
Celtic torcs disappeared in the Migration Period, but during the Viking Age torc-style metal necklaces, mainly in silver, came back into fashion. [2] Similar neck-rings are also part of the jewellery styles of various other cultures and periods.
"Annular" means formed as a ring and "penannular" formed as an incomplete ring; both terms have a range of uses. "Pseudo-penannular" is a coinage restricted to brooches, and refers to those brooches where there is no opening in the ring, but the design retains features of a penannular brooch—for example, emphasizing two terminals.
The Warner ring has a rose pear-shaped diamond in a black-enamelled setting. The ring was also said to be one which Elizabeth gave to the Earl of Essex and he returned to her from the Tower of London. In various 19th-century accounts of the "Essex" and Warner rings, Mary's gift and the verses are associated incorrectly with her marriage to ...
A diamond ring was involved in these ceremonies, described as "a great ring of gold enamelled set with five diamonds, hand in hand in the midst, called the espousall ring of Denmark". This ring, and a gold jewel with the crowned initials "J.A.R" picked out in diamonds, were earmarked as important Scottish jewels and brought to England by King ...
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