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Antwerp School. Quentin Matsys[ 1] ( Dutch: Quinten Matsijs) (1466–1530) was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. There is a tradition alleging that he was trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots ...
Prints were thus shown without any glass reflections obscuring them. Steichen's famous The Family of Man exhibition was unframed, the pictures pasted to panels. Even as late as 1966 Bill Brandt's MoMA show was unframed, with simple prints pasted to thin plywood. From the mid-1950s to about 2000 most gallery exhibitions had prints behind glass.
The Lace Maker. The Lace Maker (1662) is an oil on canvas painting by the Dutch painter Caspar Netscher. It is an example of a Dutch Golden Age painting and is part of the Wallace Collection . The woman is sitting working over a lace pillow on bobbin lace . This painting was documented by Hofstede de Groot in 1913, who wrote; "48.
Degenerate art. Degenerate art ( German: Entartete Kunst) was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds ...
27.7 cm × 29.2 cm (10.9 in × 11.5 in) Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953. The first version of this work was a woodcut made earlier that same year. [ 1] It depicts a world in which the normal laws of gravity do not apply. The architectural structure seems to be the centre of an ...
[20] [21] [22] On 28 February 2012 officials of the Augsburg Prosecutor's Office entered his apartment and found not records of past sales, but a reported 121 framed and 1,258 unframed works, the major part of the collection inherited from his father, with an initial reported worth of €1 billion (approx. $1.3 billion), [23] although this ...
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