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George Harrison, Phil Spector. "Beware of Darkness" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. It is the opening track on the second disc of the album. The lyrics warn against allowing illusion to get in the way of one's true purpose in life, an admonition that, like the content of "My ...
The first review of 1981 by Deborah Frost marked Journey as heavy metal posers and the music in the album as easily playable by any session musician. In the 2004 edition of their album guide, Rolling Stone awarded the album two-and-a-half stars out of five, which was nonetheless an improvement from Dave Marsh 's one star rating in the 1983 ...
Separate Ways (Worlds Apart) " Separate Ways (Worlds Apart) " is a song performed by Journey, recorded for their album Frontiers and released as a single in January 1983. It peaked at number eight for six consecutive weeks on the Billboard Hot 100 chart, and spent four weeks at number one on the Top Tracks chart. [ 2]
George Harrison wrote "I Me Mine" on 7 January 1969, during the second week of the Beatles' filmed rehearsals at Twickenham Film Studios in west London. [2] The film project – which became known as Get Back and eventually Let It Be [3] [4] – formed part of the Beatles' proposed return to live performance for the first time since 1966. [5]
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Lovin', Touchin', Squeezin' on YouTube. " Lovin', Touchin', Squeezin' " is a song by American rock group Journey released as a single in 1979 from the album Evolution. Lyrically, the song is about a woman who is cheating on her boyfriend, the narrator, but at the end of the song the woman's lover is cheating on her.
Tonic substitution is the use of chords that sound similar to the tonic chord (or I chord) in place of the tonic. In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7"[11]) is E minor 7 ("E, G, B, D") and the vi minor 7 ...
The following open-tunings use a minor third, and give a minor chord with open strings. To avoid the relatively cumbersome designation "open D minor", "open C minor", such tunings are sometimes called "cross-note tunings". The term also expresses the fact that, compared to Major chord open tunings, by fretting the lowered string at the first ...
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