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Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum ), [ 1] it has exerted a disproportionately large influence on our understanding of Greek society.
Further information: Ancient Greek vase painting. Greek pottery may be divided into four broad categories, given here with common types:[1] storage and transport vessels, including the amphora, pithos, pelike, hydria, stamnos, pyxis, mixing vessels, mainly for symposiaor male drinking parties, including the krater, dinos, and kyathos, jugs and ...
Unusually ambitious Samian ware flask from Southern Gaul around 100 AD. Heracles is killing Laomedon. Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used ...
Dipylon Amphora. The Dipylon Amphora (also known as Athens 804) is a large Ancient Greek painted vase, made around 760–750 BC, and is now held by the National Archaeological Museum, Athens. Discovered at the Dipylon cemetery, this stylistic vessel belonging to the Geometric period is credited to an unknown artist: the Dipylon Master.
The Euphronios Krater stands 45.7 cm (18 inches) in height and has a diameter of 55.1 cm (21.7 inches). It can hold about 45 L (12 gallons). The style of the vase is red-figure pottery, in which figure outlines, details, and the background are painted with an opaque black slip while the figures themselves are left in the color of the unpainted terracotta ceramic clay.
Amphora is a Greco-Roman word developed in ancient Greek during the Bronze Age. The Romans acquired it during the Hellenization that occurred in the Roman Republic. Cato is the first known literary person to use it. The Romans turned the Greek form into a standard -a declension noun, amphora, pl. amphorae. [3]
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