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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Grateful Dead's most recognizable song at the time, "Truckin'," is the only track used on both compilations. "St. Stephen" appears again, though this time in a live version (an excerpt of the Live/Dead track). Of the nine original Warner Bros. albums, the only one unrepresented is Anthem of the Sun (aside from its associated single). [4]
Promotional film. "Strawberry Fields Forever" on YouTube. " Strawberry Fields Forever " is a song by the English rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. It was released on 13 February 1967 as a double A-side single with " Penny Lane ". It represented a departure from the group's previous singles and a ...
Day Trip to Bangor (Didn't We Have a Lovely Time) " Day Trip to Bangor (Didn't We Have a Lovely Time) " is a single by the folk group Fiddler's Dram. The novelty song was released in 1979 and peaked at number 3 at the start of 1980. [ 1] The song was written by Debbie Cook and recorded by the lead singer of the band, Cathy Lesurf.
Pop powerhouses, American classics, British artists and the estates of deceased legends — many musicians have objected to Donald Trump using their songs at campaign events. After a video of ...
A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass ).
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Vienna (Ultravox song) " Vienna " is a song by British new wave band Ultravox, released on 9 January 1981 by Chrysalis Records [ 3] as the third single and the title track from their fourth studio album of the same name. Featuring Midge Ure on lead vocals, the new wave ballad [ 1] is regarded as a staple of the synth-pop genre that was ...