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Damask ( /ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [ 1] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [ 2] Fabrics used to create damasks include silk, wool ...
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims.
A riding habit is women's clothing for horseback riding . Since the mid-17th century, a formal habit for riding sidesaddle usually consisted of: A tailored jacket with a long skirt (sometimes called a petticoat) to match. A tailored shirt or chemisette. A hat, often in the most formal men's style of the day (since the Victorian era, a top hat ...
The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [ 1] the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes. [ 2]
1795–1820 in Western fashion. In the early 1800s, women wore thin gauzy outer dresses while men adopted trousers and overcoats. Rutger Jan Schimmelpenninck and his family, 1801–02, by Pierre-Paul Prud'hon. Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798–99.