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The Federal Art Project was the visual arts arm of Federal Project Number One, a program of the Works Progress Administration, which was intended to provide employment for struggling artists during the Great Depression. Funded under the Emergency Relief Appropriation Act of 1935, it operated from August 29, 1935, until June 30, 1943. It was ...
This work produced between 1933 and 1942 [2] ranges in content and form from Dorothea Lange's photographs for the Farm Security Administration to the Coit Tower murals to the library-etiquette posters from the Federal Art Project to the architecture of the Solomon Courthouse in Nashville, Tennessee. The New Deal sought to "democratize the arts ...
National director Hallie Flanagan with bulletin boards identifying Federal Theatre Project productions under way throughout the United States. The Federal Theatre Project (FTP; 1935–1939) was a theatre program established during the Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States.
Art for the Millions: Essays from the 1930s by Artists and Administrators of the WPA Federal Art Project. Boston: New York Graphic Society. ISBN 9780821204399. "1934: A New Deal for Artists" is an exhibition featuring artworks from the Public Works of Art Project at the Smithsonian American Art Museum. This site contains a slide show, public ...
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [2] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design, and arts and crafts. [3]
The Treasury Relief Art Project (TRAP) was a New Deal arts program that commissioned visual artists to provide artistic decoration for existing Federal buildings during the Great Depression in the United States.
Like the Works Progress Administration (WPA), the Section was part of a government project aimed at providing work for Americans throughout the Great Depression during the 1930s. The Section's main function was to select high-quality art to decorate public buildings in the form of murals, making art accessible to all people. Because post ...
However, like most artists during the Depression, he found it impossible to make a living making art, and he grudgingly returned to business as a lobbyist in Washington, D.C. In 1932 he joined the Treasury Department, where his expertise in monetary policy and art guided federal efforts to employ workers in the visual arts during the Great ...