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Most Tibetan Buddhist artforms are related to the practice of Vajrayana or Buddhist tantra. Tibetan art includes thangkas and mandalas, often including depictions of Buddhas and bodhisattvas.
The building where the museum is located used to be a house of the Arboleda family. [2] The museum was founded in 1972 by Archbishop Miguel Angel Arce. After the 1983 Popayán Earthquake, the museum building suffered serious damage, part of the museum's collections were recovered and preserved in the Bank of the Republic. [3]
Historia Universal del Arte. Barroco y Rococó. Volumen VII. Barcelona: Ed. Planeta. ISBN 84-320-6687-7. Mâle, Emile (2002). El arte religioso de la Contrarreforma: Estudios sobre la iconografía del final del s. XVI y de los ss. XVII y XVIII. Encuentro. ISBN 978-84-7490-643-1. Valdivieso, Enrique (1992). «Murillo, la realidad y el éxtasis ...
After restoration by the Institute of Puerto Rican Culture, the church now houses the Museo de Arte Religioso. This is a museum of religious paintings and wooden carvings dating from the 18th and 19th centuries. The building was listed in 1976 on the U.S. National Register of Historic Places as "Convento de Porta Coeli".
Indochristian art (Spanish: arte indocristiano), is a type of Latin American art that combines European colonial influences with Indigenous artistic styles and traditions. During the Spanish colonization of the Americas, Franciscan , Dominican , and Augustinian monks extensively converted indigenous peoples to Christianity, introducing them to ...
"El arte religioso de la Antigua Guatemala, 1773–1821; crónica de la emigración de sus imágenes" (PDF). Tesis doctoral en Historia del Arte (in Spanish). México, D.F.: Universidad Nacional Autónoma de México; Olcese, Orlando; Moreno, Ramón; Ibarra, Francisco (1977).
The earliest recorded vested santo in the Philippines is the Santo Niño de Cebu, a baptismal gift given by Ferdinand Magellan to Rajah Humabon's consort in 1521. In the Spanish period, only the nobility ( principalía ) and other wealthy could afford santos of elaborate ornamentation and craftsmanship.
(es) Díaz Gómez, J.A. (2017), Luis Antonio Belluga: trayectoria de un cardenal oratoriano y su vinculación a la Chiesa Nuova, Annales Oratorii 15: 121-154. (es) Díaz Gómez, J.A. (2016), Arte y mecenazgo en las fundaciones pías del cardenal Belluga bajo los reales auspicios de Felipe V. La irrenunciable herencia filipense, en M.M. Albero Muñoz y M. Pérez Sánchez (eds.), Las artes de un ...