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"Sleigh Ride" was produced by American musicians Brent Kutzle and Brandon Collins. [73] It is the first track from You Make It Feel Like Christmas that was not produced by busbee or Eric Valentine ; busbee had previously co-written all of the original songs on the parent album with Stefani and Tranter, but died in September 2019 after a battle ...
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.
The dances are scored for piccolo, two flutes, two oboes, two bassoons, two horns, two trumpets, timpani, violins I and II, violoncellos, and double basses.The middle section and coda, titled Die Schlittenfahrt (The sleigh ride), of the third dance adds two posthorns and five sleigh bells tuned to C, E, F, G, and A (in ascending order).
Since this still lacks scientific confirmation, rampant speculation continues about potential extra-terrestrial theories for these "trumpet noises." But don't count NASA as a UFO-doubter just yet.
It is a practice run for Santa's sleigh ride. Afterwards, the reindeer get a little break. Rudolph disobeys Santa's orders and goes skating. When he falls through the ice, he gets a cold and cannot carry the sleigh anymore. At night, Rudolph is upset because he thinks Santa won't need him anymore.
Ella Wishes You a Swinging Christmas is a 1960 album by the American jazz singer Ella Fitzgerald, recorded in the summer of 1960, with a studio orchestra arranged and conducted by Frank DeVol.
Mouth trumpet is a vocal technique that imitates the sound of the trumpet.. The mouth trumpet sound is produced by using the vocal cords to produce the desired pitch and passing the sound through the lips that are held together with just enough tension so that they vibrate at the same frequency as the vocal cords, producing a trumpet-like sound.
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth centuries, the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. [1]