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Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
The painting is a full-length portrait of Napoleon Bonaparte, wearing the red coloured long coat of the consuls of the French First Republic; his trousers are white with gold embroidery, and he wears Hungarian-style boots of light cavalry. His coat is barred by a red and gilt baldric which supports his sword, the hilt of which protrudes.
The Portrait of Napoleon III was first shown at the 1862 Universal Exhibition in London, on donation from the Emperor. Flandrin's painting was a standout wherever it was exhibited: the Universal Exhibition, Paris Salon (1863), at the Paris Ecole des Beaux-Arts (1864), and the Paris Exposition universelle (1867). [ 3 ]
French Campaign, 1814 shows Napoleon Bonaparte riding a white horse, leading his troops on a cold, snowy road. [2]: 211 The painting captures the hard and gloomy moments of Napoleon’s retreat during the French Campaign of 1814, when the forces of the Sixth Coalition advanced into France. Napoleon appears tired and thoughtful, his posture ...
The Patron Saints of the City of Modena by Guercino, now at the Louvre [3] Saint Paul by Guercino, now at the Louvre; The Triumph of Job by Guido Reni; Christ Mocked and Crowned with Thorns by Giambologna, now at the Bordeaux Musee des Beaux-Arts; The Madonna with the Baby Jesus Giving Benediction by Guercino, now at the Chambéry Musée d'Art ...
Napoleon's Tomb (French title: L'Apothéose de Napoléon) is an 1821 oil painting by the French artist Horace Vernet. [ 1 ] [ 2 ] An allegory , it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena .
He wanted his painting to show the contrasting world views of Napoleon and Pius, particularly the latter's moral dilemma in dealing with the perceived evil of the domineering French emperor. [ 5 ] It was exhibited at the Royal Academy 's 1836 Summer Exhibition at Somerset House . [ 6 ]
Napoleon Accepting the Surrender of Madrid; Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon Crossing the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) The National Guard of Paris Departs for the Army; Nelson's Column
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