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Traffic is a 2000 American crime drama film directed by Steven Soderbergh and written by Stephen Gaghan. It explores the illegal drug trade from several perspectives: users, enforcers, politicians, and traffickers .
Trafic (Traffic) is a 1971 Italian-French comedy film directed by Jacques Tati. Trafic was the last film to feature Tati's famous character of Monsieur Hulot, and followed the vein of earlier Tati films that lampooned modern society.
Traffik is a 2018 American horror-thriller film directed and written by Deon Taylor and starring Paula Patton, Omar Epps, Laz Alonso, Roselyn Sanchez, Luke Goss, William Fichtner, and Missi Pyle. It follows a group of friends who are terrorized by a gang of bikers in a remote countryside home.
The miniseries currently has an average rating of 83% on Rotten Tomatoes. [3] Writer Suan C. Boyd acknowledges the miniseries for giving different perspectives of the global war on drug trade, going as far as to claim that Traffik is the only film sample that includes the poppy grower in depth.
Trafic (Traffic), a 1971 Italian-French comedy film; Traffic, an American crime drama film Traffik, a 1989 British TV miniseries on which the 2000 film was based; Traffic, a 2004 American TV miniseries based on the 2000 film; Trafic, a Romanian short film; Traffic, a Malayalam-language film
Drugs commonly shown in such films include cocaine, heroin and other opioids, LSD, cannabis (see stoner film) and methamphetamine. There is extensive overlap with crime films, which sometimes treat drugs as plot devices to keep the action moving. The following is a partial list of drug films and the substances involved.
On review aggregator Rotten Tomatoes, the film has an approval rating of 29% based on 7 reviews, with an average rating of 4.3/10. [7] Jeffrey M. Anderson of Common Sense Media awarded the film one star out of five. [8]
The hyperlink cinema narrative and story structure can be compared to social science's spatial analysis.As described by Edward Soja and Costis Hadjimichalis spatial analysis examines the "'horizontal experience' of human life, the spatial dimension of individual behavior and social relations, as opposed to the 'vertical experience' of history, tradition, and biography."