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2. Electro-Voice RE20 - Wikipedia

   en.wikipedia.org/wiki/Electro-Voice_RE20

   The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...

3. Lavalier microphone - Wikipedia

   en.wikipedia.org/wiki/Lavalier_microphone

   For instance, a Dictaphone microphone could be suspended on a cord around the neck in order to retain some degree of freedom of movement while recording one's voice onto a wax cylinder in 1941. [3] Telephone operators and air traffic controllers used microphones that rested on the chest and were secured by a strap around the neck.

4. Voice-over - Wikipedia

   en.wikipedia.org/wiki/Voice-over

   It is recommended to hire an acting coach and voice coach to help hone skills for recording a voice-over. There are many pieces of equipment that are also required to start a career in voice-overs. A computer, professional microphone, and an editing program, along with a studio to set up in, are all requirements to develop a professional voice ...

5. The Best Headphones With Built-in Microphones - AOL

   www.aol.com/best-headphones-built-microphones...

   When you think about the best headphones, built-in microphones are probably low on the list of features that first come to mind. Instead, we usually focus on how our music sounds, if that battery ...

6. Microphone - Wikipedia

   en.wikipedia.org/wiki/Microphone

   In order to speak to larger groups of people, a need arose to increase the volume of the human voice. The earliest devices used to achieve this were acoustic megaphones. Some of the first examples, from fifth-century-BC Greece, were theater masks with horn-shaped mouth openings that acoustically amplified the voice of actors in amphitheaters. [4]

7. Boom operator (media) - Wikipedia

   en.wikipedia.org/wiki/Boom_operator_(media)

   The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. [1]