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Locus amoenus (Latin for "pleasant place") is a literary topos involving an idealized place of safety or comfort. A locus amoenus is usually a beautiful, shady lawn or open woodland, or a group of idyllic islands, sometimes with connotations of Eden or Elysium.
Arcadia (Greek: Αρκαδία) refers to a vision of pastoralism and harmony with nature.The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness.
Vineyard views are best observed from the spa garden whirlpool, and outdoor misting decks make for great places to lounge. Seasonally inspired, five-course dinners await in an intimate space ...
The dwelling place of the Shinto kami. Thule: An island somewhere in the belt of Scandinavia, northern Great Britain, Iceland, and Greenland. Vineta: A mythical city at the southern coast of the Baltic Sea. Vyraj: A mythical place in Slavic mythology, where "birds fly for the winter and souls go after death". Westernesse
Shangri-La is a fictional place in Tibet's Kunlun Mountains, [1] described in the 1933 novel Lost Horizon by English author James Hilton.Hilton portrays Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. [1]
"Merry England", or in more jocular, archaic spelling "Merrie England", refers to a utopian conception of English society and culture based on an idyllic pastoral way of life that was allegedly prevalent in Early Modern Britain at some time between the Middle Ages and the onset of the Industrial Revolution.
In the visual arts, an idyll is a painting depicting the same sort of subject matter to be found in idyllic poetry, often with rural or peasant life as its central theme. One of the earliest examples is the early 15th century Très Riches Heures du Duc de Berry. [6] The genre was particularly popular in English paintings of the Victorian era. [7]
The syndrome is also due to the gap observed between the idealized vision of Paris nurtured at home, and the actual reality of Paris. The city is often portrayed as an idyllic place of beauty, love and luxury goods. The reality is often different, and more similar to modern Japan than tourists might expect. Exhaustion