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Falsetto (/ f ɔː l ˈ s ɛ t oʊ, f ɒ l-/ fawl-SET-oh, fol-, Italian:; Italian diminutive of falso, "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave.
In vocal music, the term voce faringea (Italian pronunciation: [ˈvoːtʃe farinˈdʒɛːa]; translating to pharyngeal voice) describes a historical singing practice developed and used especially by the bel canto tenors of the late eighteenth and early nineteenth century to extend the upper range of the voice by modifying the falsetto, which is typically heard as a weak or feminine sound, into ...
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The falsetto register lies above the modal voice register and overlaps the modal register by approximately one octave. The characteristic sound of falsetto is flute-like with few overtones present. The essential difference between the modal and falsetto registers lies in the amount and type of vocal cord involvement. The falsetto voice is ...
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But even Miller pointed out that the concept of female falsetto is widely accepted in the German and French speaking world, and by many in the US/UK. That section on female falsetto is a perfect example of what wikipedia is trying to achieve: neutral, factually accurate, and cited to multiple sources.