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On a sunny day at ISO 100 ("100 speed film"), the aperture is set to f /16 and the shutter speed (i.e. exposure time) to 1 / 100 or 1 / 125 [2] seconds (on some cameras 1 / 125 second is the closest available setting to 1 / 100 second). On a sunny day at ISO 200 and aperture at f /16, set shutter speed to 1 / ...
To photograph outdoor night sports with an ISO 400–speed imaging medium, search Table 2 for "Night sports" (which has an EV of 9 for ISO 100), and add 2 to get EV 400 = 11. For lower ISO speed, decrease the exposure values (increase the exposures) by the number of exposure steps by which the speed is less than ISO 100.
An example of the use of f-numbers in photography is the sunny 16 rule: an approximately correct exposure will be obtained on a sunny day by using an aperture of f /16 and the shutter speed closest to the reciprocal of the ISO speed of the film; for example, using ISO 200 film, an aperture of f /16 and a shutter speed of 1 ⁄ 200 second. The f ...
An approximately correct exposure will be obtained on a sunny day using ISO 100 film, an aperture of f /16 and a shutter speed of 1/100 of a second. This is called the sunny 16 rule: at an aperture of f /16 on a sunny day, a suitable shutter speed will be one over the film speed (or closest equivalent).
A shutter speed of 1 ⁄ 50 s with an f /4 aperture gives the same exposure value as a 1 ⁄ 100 s shutter speed with an f /2.8 aperture, and also the same exposure value as a 1 ⁄ 200 s shutter speed with an f /2 aperture, or 1 ⁄ 25 s at f /5.6. [citation needed]
The ISO arithmetic speed has a useful property for photographers without the equipment for taking a metered light reading. Correct exposure will usually be achieved for a frontlighted scene in bright sun if the aperture of the lens is set to f/16 and the shutter speed is the reciprocal of the ISO film speed (e.g. 1/100 second for 100 ISO film).
In other words, there is under normal circumstances a reciprocal proportion between aperture area and shutter speed for a given photographic result, with a wider aperture requiring a faster shutter speed for the same effect. For example, an EV of 10 may be achieved with an aperture of f / 2.8 and a shutter speed of 1/125 s.
With the GE Synchro‑Press No. 11 for instance, a modern camera with a focal-plane shutter and X sync would require a shutter speed of 1 / 15 th of a second (67 ms) to obtain an even exposure across the entire image area—and a not-insignificant boost in the guide number by capturing all the luminous energy to the left of the 20 ms peak.