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Danny Elfman was invited to do the Wanted score, and accepted because he was a fan of director Timur Bekmambetov's previous films, Night Watch and Day Watch.Considering the film to be a "weird, twisted, sarcastic thing," Elfman decided to make a guitar-based soundtrack, with the "nastiest sounds" and a "heavy metal approach."
Nine Inch Nails performing in June 2022; from left to right: Ilan Rubin, Trent Reznor, Alessandro Cortini, Atticus Ross, and Robin Finck. This is a list of every song ever released by American industrial rock band Nine Inch Nails.
Nine Inch Nails, commonly abbreviated as NIN (stylized as NIИ), is an American industrial rock band formed in Cleveland, Ohio in 1988. Its members are the singer-songwriter, multi-instrumentalist and producer Trent Reznor and his frequent collaborator, Atticus Ross.
Natural Born Killers: A Soundtrack for an Oliver Stone Film "Closer to God" — — — Closer to God "Piggy" 20 — — The Downward Spiral "Hurt" 1995 8 — 8 "Starfuckers, Inc." 2000 39 — — The Fragile "Deep" 2001 18: 37 — Lara Croft: Tomb Raider – Original Motion Picture Soundtrack "—" denotes a recording that did not chart or was ...
As The Downward Spiral turns 30 this year, it still stands as an act of artistic transgression against the limits of popular music and as one of the major alternative records of the era to achieve ...
Allmusic gave a generally favorable review of the EP, describing its various remixes as "actually better than the original versions". Allmusic described the "Sam Fog vs. Carlos D Mix" of "Every Day Is Exactly the Same" as "sleekly ominous", and concluded that the track rendered "NIN's increasingly claustrophobic, insular music sound fresh again". [4]
Chris Vrenna (born February 23, 1967) is an American musician, producer, engineer, remixer, programmer, and founder of the electronic band Tweaker.Vrenna played drums for the industrial rock band Nine Inch Nails from 1988 until 1996, and was the keyboardist and drummer of the American rock band Marilyn Manson from 2004 until late 2011.
Reznor wanted the album's sound to diverge from the abrasion of Broken, emphasizing mood, texture, restraint and subtlety, although he was unsure about its musical direction. [7] He decided to utilize "full range" sound, focusing on texture and space, and avoiding conventional usage of guitars or synthesizers with a recognizable sound palette ...