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The dance is thought to have the power to purge the women of harmful energy and restore their cosmic equilibrium. The "djembe", a kind of West African drum, is generally used to open a Moribayassa performance. The beat begins slowly and then picks up tempo and intensity as the dance moves forward.
Ghanaian master drummer C. K. Ladzekpo states that kpanlogo "is essentially an urban youth dance-drumming and a symbol of the commitment of a rapidly growing Ghanaian urban neighborhood youth in advocating their perspective in shaping the political vision of post colonial Africa" (1995: web). [2]
Agbekor (agbekɔ) is a type of music and a style of dance by the West African peoples of Ewe and Fon. It is an ancient dance once known as Atamga, Ga meaning 'great', Atam meaning 'oath'. It is now performed by the people of Dzogadze, a farming community near Akatsi in the Southern part of the Volta Region of Ghana.
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
It is also known in some other West African countries. This name is also used to refer to different percussion patterns in African music, some of which are individual variations, and some differ significantly: some of them being in 6 8 and 12 8, while others in 4 4 time. Kakilambe is a dance as a symbol of the celebration of growth of crops ...
Dancer and choreographer Ronald K. Brown founded the dance company Evidence in New York in 1985. [1] Brown's work incorporates modern dance, Senegalese Sabar and other West African movement vocabularies, Afro-Caribbean dance, and contemporary urban dance from around the world.
He encourages the people of the village to participate in community life and provides well wishes. The festival is intended as a stimulus for the social community life, and not participating to the feast is seen as anti-social behavior. The whole community is invited and there are performances of rhythmical music and dance.
The dance was popularized by soukous music videos, as well as the videos of Kanda Bongo Man, Pepe Kalle, Viva La Musica, and other Congolese musicians. For the first time in Congo, all the groups adopted these dance steps. This had not happened before because bands preferred to have their own specific dance.
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