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It tells the story of Judas Iscariot (Rafael Rivelles) with the famous kiss of him betraying Jesus to the Romans in exchange for a few coins. The magazines of the time rapturously described the spectacular nature of El beso de Judas, rarely seen before in Spanish cinema, not even in Alba de América, by Juan de Orduña, which in the end had been shot with severe budget cuts.
El Prendimiento or El Beso de Judas (The Arrest or The Kiss of Judas): created in 1754, it contrasts the faces of Jesus and Judas, allowing a comparison of beauty and kindness of the former as opposed to the ugliness and evil of the latter.
Sol de Verano Pa' Otro La'o Baila venga, Chichi De Vuelta al Barrio El beso de Judas La Morena Si no te veo De Vuelta al Barrio La Zalamera Más Que Suficiente Tamborada Más Que Suficiente Amor Samurái La Negra Bella Dominicano De Aquel La'o del Río Con Fe La Hamaca de Dios De Que Viene, Viene De Que Viene, Viene Inside Japan Inside Japan ...
Judas was both a disciple of Jesus and one of the original twelve Apostles. Most Apostles originated from Galilee but Judas came from Judea. [5] The gospels of Matthew (26:47–50) and Mark (14:43–45) both use the Greek verb καταφιλέω, kataphiléō, which means to "kiss, caress; distinct from φιλεῖν, philein; especially of an amorous kiss."
Història artificial: el cor i les tenebres: Joan Fontcuberta: IVAM Centre Julio González, 26 novembre 1992/24 de gener 1993. [Valencia]: Le Centre, 1992. ISBN 84-482-0023-3. Fontcuberta, Joan. Le baiser de Judas: photographie et vérité. Arles: Actes Sud, 1996. ISBN 2-7427-0839-1. Fontcuberta, Joan. El beso de Judas: fotografía y verdad ...
La limosna y el perdón, 1853; El beso de Judas, 1860; Obras poéticas. Elegías, 1862 [6] Proverbios ejemplares, 1864 [7] Armonías y cantares, 1865 [8] El mundo al revés, 1865, 2 v. [9] Inspiraciones: poesías selectas, 1865 [10] La arcadia moderna, 1867 [11] Cuentos del día, 1868 [12] Balada de Cataluña, 1868 [13] El libro de la patria ...
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There are seven figures in the painting: from left to right they are John, Jesus, Judas, three soldiers (the one farthest to the right barely visible in the rear), and a man holding a lantern to the scene. They are standing, and only the upper three-quarters of their bodies are depicted. Judas has just kissed Jesus to identify him for the ...