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It tells the story of Judas Iscariot (Rafael Rivelles) with the famous kiss of him betraying Jesus to the Romans in exchange for a few coins. The magazines of the time rapturously described the spectacular nature of El beso de Judas, rarely seen before in Spanish cinema, not even in Alba de América, by Juan de Orduña, which in the end had been shot with severe budget cuts.
Història artificial: el cor i les tenebres: Joan Fontcuberta: IVAM Centre Julio González, 26 novembre 1992/24 de gener 1993. [Valencia]: Le Centre, 1992. ISBN 84-482-0023-3. Fontcuberta, Joan. Le baiser de Judas: photographie et vérité. Arles: Actes Sud, 1996. ISBN 2-7427-0839-1. Fontcuberta, Joan. El beso de Judas: fotografía y verdad ...
La limosna y el perdón, 1853; El beso de Judas, 1860; Obras poéticas. Elegías, 1862 [6] Proverbios ejemplares, 1864 [7] Armonías y cantares, 1865 [8] El mundo al revés, 1865, 2 v. [9] Inspiraciones: poesías selectas, 1865 [10] La arcadia moderna, 1867 [11] Cuentos del día, 1868 [12] Balada de Cataluña, 1868 [13] El libro de la patria ...
Jesús de Nazareth (1942) (Mexico) María Magdalena: Pecadora de Magdala (1945) (Mexico) Reina de reinas: La Virgen María (1945) (Mexico) El Mártir del Calvario (1952) (Mexico) El Beso de Judas (1953) (Spain) El Redentor (1957) (Spain) El Proceso de Cristo (1965) (Mexico) Jesús, el niño Dios (1969) (Mexico) Jesús, María y José (1969 ...
In its first week of release on DVD in the United States and Canada, the "bewitching Judas Kiss" made No. 1 on The Advocate's Hot Sheet, the top 10 entertainment highlights by Brandon Voss. Entertainment Focus named Judas Kiss to list Top 10 Gay Films of 2011. [13] QX Magazine rated Judas Kiss 7 out of 10, praising the film's nicely breezy tone ...
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Judas was both a disciple of Jesus and one of the original twelve Apostles. Most Apostles originated from Galilee but Judas came from Judea. [5] The gospels of Matthew (26:47–50) and Mark (14:43–45) both use the Greek verb καταφιλέω, kataphiléō, which means to "kiss, caress; distinct from φιλεῖν, philein; especially of an amorous kiss."
[1] [a] Two of the more puzzling details of the painting are, one, the fact that the heads of Jesus and St. John seem to visually meld together in the upper left corner, and, two, the fact of the prominent presence, in the very centre of the canvas and in the foremost plane of the picture, of the arresting officer's highly polished, metal-clad arm.