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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
The song conveys the feel and tone of a blues song, but does not follow any of the usual eight-bar blues or twelve-bar blues progressions. The song has harmonic resemblance to Howlin' Wolf's recordings of "Sitting on Top of the World" in its inclusion of a minor IV chord in the fourth measure of the progression, while also harmonically resembling "Trouble in Mind", a blues standard. [3]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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The first three lines are repeated, followed by a new call-and-response seventh line ("Soldier"), and then an eighth line ("of the cross") sung together. As a folk song, lyrics to We Are Climbing Jacob's Ladder varied widely, but one 1907 version listed the lyrics (with response in parentheses) as: [ 22 ]
The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. [44] These are called inversions.
Cross tuning or cross-tuning (aka scordatura) is an alternative tuning used for the open strings of a string instrument.The term refers to the practice of retuning the strings; it also refers to the various tunings commonly used, or in some contexts it may refer to the AEAE fiddle tuning.
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