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Getty Villa – Storage Jar with a chorus of Stilt walkers – inv. VEX.2010.3.65. A Greek chorus (Ancient Greek: χορός, romanized: chorós) in the context of ancient Greek tragedy, comedy, satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage ...
The chorus of elders not only attempt to protect Oedipus but fail miserably; while the chorus speaks aggressively it is well known that they are too frail to attempt any sort of defense of the protagonist from physical harm. Similar outcomes of choral interference with onstage happenings occur in many other plays, including Agamemnon.
As the Greek chorus declined in importance compared to a smaller group of main actors, the chorus remained in the orchestra to perform, while the main actors generally performed from the stage on top of the proskenion. This important change occurred in the Hellenistic period, between the 3rd and 1st centuries BC.
Aeschylus (UK: / ˈ iː s k ɪ l ə s /, [1] US: / ˈ ɛ s k ɪ l ə s /; [2] Ancient Greek: Αἰσχύλος Aischýlos; c. 525 /524 – c. 456 /455 BC) was an ancient Greek tragedian often described as the father of tragedy.
The orchestra was a circular piece of ground at the bottom of the theatron where the chorus and actors performed; the word means "dancing space", as the chorus also danced in early periods. [15] Originally unraised, Greek theatre would later incorporate a raised stage for easier viewing.
The nearest equivalent to Lysistrata's divided Chorus is found in the earliest of the surviving plays, The Acharnians, where the Chorus very briefly divides into factions for and against the protagonist. [45] Parabasis: In Classical Greek comedy, parabasis is 'a speech in which the chorus comes forward and addresses the audience'.
Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus).Originally, it was accompanied by a lyre, a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
In Attic drama, the coryphaeus, corypheus, or koryphaios (Greek κορυφαῖος koryphaîos, from κορυφή koryphḗ́, the top of the head) was the leader of the chorus. Hence the term (sometimes in an Anglicized form "coryphe") is used for the chief or leader of any company or movement. [1]