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Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms. These are famous for inducing the phenomenon of multistable perception.
Optical illusion is also used in film by the technique of forced perspective. Op art is a style of art that uses optical illusions to create an impression of movement, or hidden images and patterns. Trompe-l'œil uses realistic imagery to create the optical illusion that depicted objects exist in three dimensions.
The Necker cube is an optical illusion that was first published as a rhomboid in 1832 by Swiss crystallographer Louis Albert Necker. [1] It is a simple wire-frame, two dimensional drawing of a cube with no visual cues as to its orientation, so it can be interpreted to have either the lower-left or the upper-right square as its front side.
The Hollow-Face illusion is an optical illusion in which the perception of a concave mask of a face appears as a normal convex face. Hybrid image. A Hybrid image is an optical illusion developed at MIT in which an image can be interpreted in one of two different ways depending on viewing distance. Illusory contours.
The missing square puzzle is an optical illusion used in mathematics classes to help students reason about geometrical figures; or rather to teach them not to reason using figures, but to use only textual descriptions and the axioms of geometry. It depicts two arrangements made of similar shapes in slightly different configurations.
The Penrose triangle, also known as the Penrose tribar, the impossible tribar, [1] or the impossible triangle, [2] is a triangular impossible object, an optical illusion consisting of an object which can be depicted in a perspective drawing. It cannot exist as a solid object in ordinary three-dimensional Euclidean space, although its surface ...
A version of the Zöllner illusion. The Zöllner illusion is an optical illusion named after its discoverer, German astrophysicist Johann Karl Friedrich Zöllner.In 1860, Zöllner sent his discovery in a letter to physicist and scholar Johann Christian Poggendorff, editor of Annalen der Physik und Chemie, who subsequently discovered the related Poggendorff illusion in Zöllner's original drawing.
The widely accepted interpretation of, e.g. the Poggendorff and Hering illusions as manifestation of expansion of acute angles at line intersections, is an example of successful implementation of a "bottom-up," physiological explanation of a geometrical–optical illusion. Ponzo illusion in a purely schematic form and, below, with perspective clues