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A stage play is specifically crafted for performance on stage, distinct from works meant for broadcast or cinematic adaptation. They are presented on a stage before a live audience. Some dramatists, notably George Bernard Shaw, have shown little preference for whether their plays are performed or read. The term "play" encompasses the written ...
Historic Outdoor Forest Theater in Carmel, California, at sunset. The following outline is provided as an overview of and topical guide to theatre: . Theatre – the generic term for the performing arts and a usually collaborative form of fine art involving live performers to present the experience of a real or imagined event (such as a story) through acting, singing, and/or dancing before a ...
An act is a major division of a theatre work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. [1] [2] The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) [3] or a unit of analysis for dividing a dramatic work into sequences.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from poets.
Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera.. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance.
Theatre-fiction may engage with and represent many different varieties of theatre, from performances of Shakespearean tragedy to Kabuki theatre to pantomime. Critics such as Lisa Jackson-Schebetta [2] and Stefano Boselli have discussed the value of theatre-fiction in contributing to our understanding of theatre's histories and medial ...
The morality play is a genre of Medieval and early Tudor theatrical entertainment. In their own time, these plays were known as "interludes", a broader term given to dramas with or without a moral theme. [6]