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In 1914, J. H. Hall claimed that the song had been translated into at least 17 languages and that at least 17 million copies of the song were then in print. [1] From 1930 to 1965, "O That Will Be Glory" was the theme song of evangelist G. E. Lowman 's international radio broadcast.
Thus shall is used with the meaning of obligation, and will with the meaning of desire or intention. An illustration of the supposed contrast between shall and will (when the prescriptive rule is adhered to) appeared in the 19th century, [11] and has been repeated in the 20th century [12] and in the 21st: [13] I shall drown; no one will save me!
Ev’ry valley shall be exalted: Air T: Isaiah 40:4: 4: And the glory, the glory of the Lord shall be revealed: Chorus: Isaiah 40:5: Scene 2: 5: Thus saith the Lord, the Lord of Hosts The Lord whom ye seek shall suddenly come to His temple: Acc. B: Haggai 2:6–7 Malachi 3:1: Haggai, splendor of the temple Malachi, the coming messenger: 6: But ...
"May It Be" is a song by the Irish recording artist Enya. She and Roma Ryan respectively composed and wrote lyrics to the song, for Peter Jackson's 2001 film The Lord of the Rings: The Fellowship of the Ring. [2] The song entered the German Singles Chart at number one in 2002, and Enya performed it at the 74th Academy Awards.
When asked what the greatest commandment is, Jesus replies: "You shall love the Lord your God with all your heart, and with all your soul, and with all your mind ... And a second is like it: 'You shall love your neighbor as yourself. ' " [ 176 ] Other ethical teachings of Jesus include loving your enemies , refraining from hatred and lust ...
The Ring theme has a Middle-eastern sound, unfamiliar to a Western audience, helping to convey the Ring's ability to corrupt its bearers; it uses a wind instrument the double-reed rhaita from Morocco. [59] The Rohan theme [r] makes use of the Norwegian hardanger fiddle, reflecting Jackson's depiction of the Rohirrim as from Northern Europe. [59]
A fugue carries the words "Blessing and honour, glory and pow'r be unto him". The men's voices and the continuo begin in unison, the simple theme rises to a note which is repeated nine times and falls back, reminiscent of the repeated notes in "For the mouth of the Lord hath spoken it" and "King of Kings". Several countersubjects add life and ...
The love-song which they bring; – Oh hush the noise, ye men of strife, And hear the angels sing! And ye, beneath life's crushing load, Whose forms are bending low, Who toil along the climbing way With painful steps and slow, Look now! for glad and golden hours Come swiftly on the wing; – Oh, rest beside the weary road And hear the angels sing!