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The Head of Christ became popular among evangelical Christians as well, as they believed the portrait to emphasize the "salvific power of the life, death and resurrection of Jesus". [8] David Morgan, a professor of religion at Duke University, states that "for many Christians during the Cold War, Sallman's portrait did symbolize a virile, manly ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Heinrich, however, was the only one for whom art was not only a profession but the center of his life. Hofmann received his first lessons in art from the copper engraver Ernst Rauch in Darmstadt. Then, in 1842, he entered the Academy of Art in Düsseldorf and attended the classes given in painting by Theodor Hildebrandt .
Christ at the home of Mary and Martha; Christ at the Sea of Galilee; Christ Bearing the Soul of the Virgin; Christ Blessing (Bellini, 1500) Christ Blessing (Raphael) Christ Blessing the Children; Christ Blessing the Children (Lucas Cranach the Elder) The Christ Child and the Infant John the Baptist with a Shell; Christ Child Blessing
Christ taking Leave of his Mother, by Albrecht Altdorfer c. 1520, one of the treatments with a landscape background.. The subject does not illustrate any Biblical passage, but derives from one of the Pseudo-Bonaventura's "Meditations on the life of Christ" (1308), and the "Marienleben" (German for "Life of the Virgin"; about 1300) by Philipp von Seitz [], also known as "Brother Philipp, the ...
[n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1] Christ is shown grappling with a sacrificial lamb symbolizing his Passion as the Virgin tries to restrain him. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
Orazio Gentileschi, 1625–1626 Joachim Patinir, 1518–1520, Prado Gerard David, c. 1510, National Gallery of Art. Joseph is beating chestnuts from a tree. The Rest on the Flight into Egypt is a subject in Christian art showing Mary, Joseph, and the infant Jesus resting during their flight into Egypt. The Holy Family is normally shown in a ...
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.