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The Apotheosis of Washington on the ceiling of the Capitol rotunda inside the United States Capitol Detail of George Washington in the fresco. The Apotheosis of Washington is the fresco painted by Greek-Italian artist Constantino Brumidi in 1865 and visible through the oculus of the dome in the rotunda of the United States Capitol Building in Washington, D.C.
The White House's art collection, sometimes also called the White House Collection or Pride of the American Nation, [1] has grown over time from donations from descendants of the Founding Fathers to commissions by established artists. [2] It comprises paintings, sculptures, and other art forms. [3]
She also experimented with views in mirrors, such as in Interior with wardrobe mirror (1955), [16] which shows a mirror on an open wardrobe door that is opened at a 45-degree angle, whereby the viewer is given a view of the yard outside the house from the reflection in the glass. The angular cutting into the basic composition with these doors ...
American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago.A character study of a man and a woman portrayed in front of a home, American Gothic is one of the most famous American paintings of the 20th century, and has been widely parodied in American popular culture.
Black-figure vase painting and Red-figure vase painting gives many surviving examples of what Greek painting was. Some famous Greek painters on wooden panels who are mentioned in texts are Apelles , Zeuxis and Parrhasius , however few examples of Ancient Greek panel painting survive, mostly just written descriptions by their contemporaries or ...
The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
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The Problem We All Live With is a 1964 painting by Norman Rockwell that is considered an iconic image of the Civil Rights Movement in the United States. [2] It depicts Ruby Bridges, a six-year-old African-American girl, on her way to William Frantz Elementary School, an all-white public school, on November 14, 1960, during the New Orleans school desegregation crisis.