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The Invisible Art: The Legends of Movie Matte Painting. Chronicle Books. ISBN 0-8118-4515-X. Peter Ellenshaw; Ellenshaw Under Glass – Going to the Matte for Disney; Richard Rickitt: Special Effects: The History and Technique. Billboard Books; 2nd edition, 2007; ISBN 0-8230-8408-6 (Chapter 5 covers the history and techniques of movie matte ...
Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting.
Outstanding Matte Paintings in a Broadcast Program or Commercial Outstanding Models and Miniatures in a Broadcast Program or Commercial Doctor Who - Series 4 - Silence in the Library – Simon Wickers, Charlie Bennett, Tim Barter, Arianna Lago
The integration of the live action lighting and painted lighting effects is said to be the best matte painting achievement in filmmaking history. [1] He was also responsible for the Indiana Jones and the Temple of Doom (1984) Pankot Palace, Cliff and the Village, as well as most Young Sherlock Holmes (1985) matte paintings.
Fritz Lang's film Metropolis was an early special effects spectacular, with innovative use of miniatures, matte paintings, the Schüfftan process, and complex compositing. An important innovation in special-effects photography was the development of the optical printer. Essentially, an optical printer is a projector aiming into a camera lens ...
Building on fine arts work, JP moved to California to train in special effects and matte painting at the Disney Studios in Burbank. In 1976, he worked with Harrison Ellenshaw, Department Head (Visual Effects) on the matte paintings for STAR WARS [pers. comm. Harrison Ellenshaw, 6 September 2018]. JP subsequently left Disney for Detroit to ...
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