Search results
Results from the WOW.Com Content Network
Two water drums. Water drums are a category of membranophone characterized by the filling of the drum chamber with some amount of water to create a unique resonant sound. Water drums are used all over the world, but are found most prominently in a ceremonial as well as social role in the Indigenous music of North America, as well as in African music.
Guy Warren of Ghana, also known as Kofi Ghanaba (4 May 1923 – 22 December 2008), was a Ghanaian musician, most notable as the inventor of Afro-jazz — "the reuniting of African-American jazz with its African roots" [1] — and as a member of The Tempos, alongside E. T. Mensah.
In African music, the calabash is a percussion instrument of the family of idiophones consisting of a half of a large calabash gourd, which is struck with the palms, fingers, wrist or objects to produce a variety of percussive sounds. [1] In Tuareg music, the askalabo [2] is a calabash "partly submerged in water, drummed to mimic camels' hooves ...
Drums used in African traditional music include talking drums, bougarabou and djembe in West Africa, water drums in Central and West Africa, and the different types of ngoma drums (or engoma) in Central and Southern Africa. Other percussion instruments include many rattles and shakers, such as the kosika (kashaka), rain stick, bells and wood ...
Drums of Passion is an album produced by Babatunde Olatunji, a percussionist from Nigeria, in 1960. It was the first recording to popularize African music in the West, [3] becoming immensely successful and selling over five million copies. [4] In 2002, it was released as a single layer stereo and 5.1 SACD by Columbia Records.
A djembe drum. African music relies heavily on fast-paced, upbeat rhythmic drum playing found all over the continent, though some styles, such as the Township music of South Africa do not make much use of the drum and nomadic groups such as the Maasai do not traditionally use drums. Elsewhere the drum is the sign of life: its beat is the ...
Olatunji was a music educator, and invented a method of teaching and recording drum patterns which he called the "Gun-Dun, Go-Do, Pa-Ta" method after the different sounds made on the drum. He taught drum and dance workshops year-round starting in the late 1950s.
The most fundamental cross-rhythm in Ewe music, and Sub-Saharan African music traditions in general, is three-against-two (3:2), or six-against-four (6:4), also known as a vertical hemiola. The cycle of two or four beats are the main beat scheme, while the triple beat scheme is secondary.