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2. mp3DirectCut - Wikipedia

   en.wikipedia.org/wiki/Mp3DirectCut

   Gains and fades are limited to 1.5 dB steps, as they are achieved by modifying the value of the MP3 frame's 8-bit global gain field. Size limitations. The maximum file size that the program is able to process is 4 GB. This is equivalent to about 28 hours of music in an MP3 file encoded at 320 kbit/s. Unimplemented features

3. Delay (audio effect) - Wikipedia

   en.wikipedia.org/wiki/Delay_(audio_effect)

   Block diagram of the signal-flow for a typical simple delay-line, tied to an electric guitar. Dotted line indicates options component. [33] Delay effects add a time delay to an audio signal. Blending the delayed audio with the original audio creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. [5]

4. Codec listening test - Wikipedia

   en.wikipedia.org/wiki/Codec_listening_test

   A codec listening test is a scientific study designed to compare two or more lossy audio codecs, usually with respect to perceived fidelity or compression efficiency. Most tests take the form of a double-blind comparison.

5. Audacity (audio editor) - Wikipedia

   en.wikipedia.org/wiki/Audacity_(audio_editor)

   This version adds Real-Time preview of some effects. Saving and loading user presets for effect settings across sessions (version 2.1.0 on) [66] Scrubbing (audio) (version 2.1.1 and later). [67] 2.0 March 13, 2012 This version adds a Device Toolbar to manage inputs and outputs, Timer Record and a Mixer Board view with per-track VU meters.

6. Audio bit depth - Wikipedia

   en.wikipedia.org/wiki/Audio_bit_depth

   The amplitude is the only information explicitly stored in the sample, and it is typically stored as either an integer or a floating-point number, encoded as a binary number with a fixed number of digits – the sample's bit depth, also referred to as word length or word size.

7. Opus (audio format) - Wikipedia

   en.wikipedia.org/wiki/Opus_(audio_format)

   Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

8. Gapless playback - Wikipedia

   en.wikipedia.org/wiki/Gapless_playback

   Also, the artist may intentionally leave in silences for dramatic effect, which should arguably be preserved regardless of whether there is a track boundary there. Compared to precise gapless playback, these methods are a different approach to erroneous silence in audio files, but other required features are the same.

9. Fade (audio engineering) - Wikipedia

   en.wikipedia.org/wiki/Fade_(audio_engineering)

   Possibly the earliest example of a fade-out ending can be heard in Joseph Haydn's Symphony No. 45, nicknamed the "Farewell" Symphony on account of the fade-out ending.The symphony which was written in 1772 used this device as a way of courteously asking Haydn's patron Prince Nikolaus Esterházy, to whom the symphony was dedicated, to allow the musicians to return home after a longer than ...