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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
French (Nouvelle Vague) — the inaugural New Wave cinema movement; German ('New German Cinema') Hong Kong — a movement led by director Tsui Hark; Indian ('Parallel cinema') — began around the same time as the French New Wave; Japanese (Nuberu Bagu) — began around the same time as the French New Wave; Malayalam ('New generation') Mexican ...
Brazilian filmmakers modeled Cinema Novo after genres known for subversiveness: Italian neorealism and French New Wave. Johnson and Stam further claim that Cinema Novo has something in common "with Soviet film of the twenties," which like Italian neorealism and French New Wave had "a penchant for theorizing its own cinematic practice."
New Hollywood, music videos, French New Wave Cinéma du look ( French: [sinema dy luk] ) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [ 1 ] in which he classified Luc Besson , Jean-Jacques Beineix and Leos Carax as directors of ...
Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal Cahiers du cinéma from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut —were making the transition from critics to filmmakers and gaining international attention.
Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s.
Raoul Coutard (16 September 1924 – 8 November 2016) [1] was a French cinematographer.He is best known for his connection with the French New Wave (Nouvelle Vague) period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou (both 1965), and Weekend (1967).
Le Beau Serge (French pronunciation: [lə bo sɛʁʒ], literal English translation: "Handsome Serge") is a 1958 French film directed by Claude Chabrol.It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement.