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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
Brazilian filmmakers modeled Cinema Novo after genres known for subversiveness: Italian neorealism and French New Wave. Johnson and Stam further claim that Cinema Novo has something in common "with Soviet film of the twenties," which like Italian neorealism and French New Wave had "a penchant for theorizing its own cinematic practice."
New Hollywood, music videos, French New Wave Cinéma du look ( French: [sinema dy luk] ) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [ 1 ] in which he classified Luc Besson , Jean-Jacques Beineix and Leos Carax as directors of ...
Raoul Coutard (16 September 1924 – 8 November 2016) [1] was a French cinematographer.He is best known for his connection with the French New Wave (Nouvelle Vague) period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou (both 1965), and Weekend (1967).
French (Nouvelle Vague) — the inaugural New Wave cinema movement; German ('New German Cinema') Hong Kong — a movement led by director Tsui Hark; Indian ('Parallel cinema') — began around the same time as the French New Wave; Japanese (Nuberu Bagu) — began around the same time as the French New Wave; Malayalam ('New generation') Mexican ...
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Raymond Cauchetier (10 January 1920 – 22 February 2021) was a French photographer, known for his work as the set photographer from 1959 to 1968 on many films of the French New Wave. His photographs are an important record of the New Wave directors at the beginning of their careers, and of their unconventional and groundbreaking production ...
Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991).