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"Bad to the Bone" was released as a single on September 17, 1982. It is often considered Thorogood's best song, [14] and a staple of classic rock radio. [11] The song was not popular upon release, however, its music video received recurrent appearances on MTV. [24] The song's use in films, television, and commercials has since made it more popular.
"Bad to the Bone" was written in open G tuning and makes use of a slide. [9] The song adapts the hook and lyrics of Muddy Waters' 1955 song "Mannish Boy". [10] [11] The Chicago musician James Pobiega, who goes by the stage name "Little Howlin' Wolf", claimed that he wrote "Bad to the Bone" and that Thorogood stole it from him. [7] [12]
Example of closing credits Closing credits to the open-source animated film Big Buck Bunny. Closing credits, end credits and end titles are a list of the cast and crew of a particular motion picture, television show, and video game. While opening credits appear at the beginning of a work, closing credits appear close to, and at the very end of ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
A funny thing happened with TV show opening credits over the decades. They were long… and then got really short… and then got extra-long again! ... (No video available, ... Revisit the Best TV ...
[11] Music critic Jonathan Broxton wrote "The Creator is a really, really good score, which successfully blends some of Zimmer’s more modern science fiction sensibilities with the evocative Asian sound of scores like Beyond Rangoon, and builds up to a powerful, emotional finale that really stirs the soul."
"Bad Boys" is a 1987 song by the Jamaican reggae band Inner Circle, which gained high popularity in the United States after its re-release in 1993, peaking at number eight on the Billboard Hot 100 and number seven on the Top 40 Mainstream. [1] It is the opening theme to the American TV show Cops and the theme song of the Bad Boys franchise.
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.