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Agatha and the Truth of Murder was produced by Brett Wilson and directed by Terry Loane, and stars Ruth Bradley in the eponymous role of Agatha Christie. [7] Bradley admitted to feeling pressure playing Christie and used the biography by Laura Thompson (Agatha Christie: An English Mystery, 2007) "like a bible". [8]
On 6 August 1975, The New York Times published a front-page obituary of Poirot with a photograph to mark his death. [9] [10] [11] Hastings also mentions "the case of Evelyn Carlisle" as he speculates over a possible hidden financial motive for X's actions, referring to Sad Cypress which centred on the revelation of money as a motivation for the ...
The Murder on the Links is a work of detective fiction by Agatha Christie, first published in the US by Dodd, Mead & Co [1] [2] in March 1923, and in the UK by The Bodley Head in May of the same year. [3] It is the second novel featuring Hercule Poirot and Arthur Hastings.
In The New York Times Book Review for 11 September 1938, Kay Irvin said, "Even a lesser Agatha Christie story holds its readers' attention with its skillful management of suspense. Appointment with Death is decidedly of the lesser ranks: indeed, it comes close to being the least solid and satisfactory of all the Poirot mystery tales. Its ...
In The New York Times Book Review of 19 October 1941, Isaac Anderson wrote, "The murder is an elaborately planned affair – a little too much so for credibility, in view of the many possibilities of a slip-up somewhere along the way – but Poirot's reasoning is flawless, as it always is.
Go for the simple pleasure a Christie cozy always offers. How to see Academy's 'And Then There Were None': The production runs at 7 p.m. Thursdays, Fridays and Saturdays, through Sept. 21; 2 p.m ...
The anonymous review in The Times of 15 November 1956, was also somewhat damning; "Dead Man's Folly is not Miss Agatha Christie at her best. The murder and the solution of it are ingenious, but then, with Miss Christie, they always are, and it is pleasant to watch M. Hercule Poirot at work again.
For a slow-boat river cruise, and a spluttery sort of movie, “Death on the Nile” covers a lot of territory. It’s a gently but firmly diversified version of Agatha Christie’s whodunit; a ...