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Theodore and Friends is the debut album from the Northern Irish rock band the Adventures, released in 1985. [3]The album contained four minor UK chart hits; "Another Silent Day" (UK #71), "Feel the Raindrops" (UK #58), "Two Rivers" (UK #96), and "Send My Heart" (UK #62) which was a hit in Germany and also featured on the soundtrack to the horror movie Demoni the same year. [4]
The Adventures were a Northern Irish rock/pop band, formed in Belfast in 1984 who had a number of hits during the 1980s and early 1990s. The band moved to London where they signed to Chrysalis Records and released their first single in 1984. Following their debut album, the group moved to Elektra Records and scored their biggest hit, "Broken Land".
1983 performance 1985 performance. It was adopted in 1981, written by Shafiq al-Kamali [2] (who died in 1984) with music by Walid Georges Gholmieh. [3]The lyrics make mention of important people in Iraqi history, such as Saladin, Harun al-Rashid, and al-Muthanna ibn Haritha, with the last verse extolling Ba'athism.
"Two Rivers" (song), a 1985 song by Northern Irish band The Adventures "Two Rivers", a 1989 song by Jeff Beck from the album Jeff Beck's Guitar Shop Two Rivers ( The Wheel of Time ) , an isolated region in Robert Jordan's novels, in which the series begins
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"Broken Land" is a song by Northern Irish band the Adventures, released in 1988 as the first single from their second album The Sea of Love. It was their biggest hit in the UK, spending 10 weeks on the chart, and reached the top ten in Ireland. Written by guitarist Pat Gribben, "Broken Land" peaked at No. 20 on the UK Singles Chart. [2]
The trail bridges the gap between the two while never touching either one. This section is 29 miles in length and has a total elevation gain of 3,100 feet going from west to east. It’s ...
In an interview published in the literary journal AGNI, Sleigh lists his poetic influences: . I'd have to say that Browning for his technique; Wallace Stevens for a certain quality of gravitas, what Keats feels near his death, when he said he was living a sort of posthumous existence; Philip Larkin for his sense of extremity; Pound for his fluidity of conception and hardness of execution ...