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Femme Fatale is a 2002 erotic thriller film [2] [3] written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn-Stamos. It was screened out of competition at the 2002 Cannes Film Festival. [4] Upon its release, Femme Fatale received mixed reviews from film critics and became a box office flop.
Jane Greer (born Bettejane Greer; September 9, 1924 – August 24, 2001) was an American film and television actress best known for her role as femme fatale Kathie Moffat in the 1947 film noir Out of the Past. In 2009, The Guardian named her one of the best actors never to have received an Academy Award nomination. [1]
Mari Blanchard (born Mary E. Blanchard, April 13, 1923 – May 10, 1970) was an American film and television actress, known foremost for her roles as a B movie femme fatale in American productions of the 1950s and early 1960s.
The Last Seduction has gained a cult following over time, and its main character, Bridget Gregory, has been recognized as one of the most iconic femme fatales. [6] [7] [8] In 2019, the British Film Institute included the movie, along with Gone Girl and Death Becomes Her, in a program dedicated to exploring "wickedly compelling female characters ...
Billy Zane as Elijah; Lisa Zane as Cynthia; Colin Firth as Joseph Prince; Scott Wilson as Dr. Beaumont; Suzanne Snyder as Andrea; Pat Skipper as Ted; John Lavachielli as Ed; Lisa Blount as Jenny Purge
Mildred Pierce is available on DVD and Blu-ray from The Criterion Collection for Regions 1 and 2 in a special edition which includes a host of special features, including "Joan Crawford: The Ultimate Movie Star", a 2002 feature-length documentary, a Q&A with actor Ann Blyth from 2006, a conversation on the film between critics Molly Haskell and ...
Gilda was a cross between a hardcore noir adventure of the 1940s and the cycle of 'women's pictures.' Imbued with a modern perspective, the film is quite remarkable in the way it deals with sexual issues." [21] Mike D'Angelo of The A.V. Club said that "part of Gilda's fascination is the way that it complicates the idea of the femme fatale ...
The producers were keen to pay tribute to their literary source, having a real actor read the full poem to the audience before each initial showing, and presenting passages of the poem throughout the film in intertitles. Bara's official credit is even "The Vampire", and for this reason the film is sometimes cited as the first "vampire" movie. [7]