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The title is a play on the first sentence in Abraham Lincoln's Gettysburg Address ("Four score and seven years ago ..."). It is a collection of 1950s and 1960s rhythm & blues covers influential to the members of the group during their early years.
Everybody Digs Bill Evans: Short solo Evanesque: 1980 (unfinished) Completed and first recorded by Eliane Elias on her tribute album Something for You (2008) Five: 1956: New Jazz Conceptions: Like many jazz tunes, it's based on the chords of "I Got Rhythm." It was for some years the Bill Evans Trio signature tune. For Nenette: 1978: New ...
[4] However, the lyrics of the bridge provide a clue: If the words sound queer and funny to your ear, a little bit jumbled and jivey, Sing "Mares eat oats and does eat oats and little lambs eat ivy." [4] This hint allows the ear to translate the final line as "a kid'll eat ivy, too; wouldn't you?" [5]
Unlike in the cases of Davis and Adderley, "Nardis" was an important part of Bill Evans's repertoire, as it appears on many of his albums: Trio at Birdland (1960), Explorations (1961), The Solo Sessions, Vol. 1 (1963), Trio Live (1964), Bill Evans at the Montreux Jazz Festival (1968), Quiet Now (1969), You're Gonna Hear from Me (1969), "Live at the Festival" (1972), The Paris Concert: Edition ...
1774 [4] [5] The earliest known printed publication was in volume two of Recueil de Romances by M.D.L. (Charles de Lusse). Aiken Drum: United Kingdom: 1820 [6] The rhyme was first printed in 1820 by James Hogg in Jacobite Reliques. Apple Pie ABC: United Kingdom 1871 [7] Edward Lear made fun of the original rhyme in his nonsense parody "A was ...
In “Iris” they tried to create the sound of amniotic fluid whooshing around your ears in the womb. Several songs have random phone-ringing samples hidden away in them.
Their version was later recorded by the well-known Canadian folk duo Ian and Sylvia for their album, Play One More. [4] Tom T. Hall recorded "Molly and Tenbrooks" with Bill Monroe contributing on his mandolin on July 13, 1976 for Hall's LP The Magnificent Music Machine, released in 1976.
Sheet music cover featuring Margaret Young, 1924 "Big Bad Bill (Is Sweet William Now)" is a song with music by Milton Ager and lyrics by Jack Yellen, written in 1924. [1] The song became a vocal hit for Margaret Young accompanied by Rube Bloom, and an instrumental hit for the Don Clark Orchestra.