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Pseudanor (Greek: Ψευδάνωρ pseudo-+ anēr "false man", metaphorically an "effeminate man") was a Macedonian epithet applied to Dionysus.Other Macedonian appellations to the god were Agrios (Ἄγριος) [1] "wild" (as god of the countryside) and Erikryptos (Ἐρίκρυπτος) "completely hidden" (as the god hidden from the frenzied women roaming the countryside by the ...
The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish". [303]
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
Some lists of the Twelve Olympians omit her in favor of Dionysus, but the speculation that she gave her throne to him in order to keep the peace seems to be a modern invention. [citation needed] Dionysus: Bacchus Liber: God of wine, the grapevine, fertility, festivity, ecstasy, madness and resurrection. Patron god of the art of theatre.
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
Pages and categories relating to Dionysus, the god of wine, festivity and theatre in Greek mythology. Subcategories This category has the following 9 subcategories, out of 9 total.
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...