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Philippine literature in English has its roots in the efforts of the United States, then engaged in a war with Filipino nationalist forces at the end of the 19th century. By 1901, public education was institutionalized in the Philippines , with English serving as the medium of instruction.
The Philippine revolution brought a wave of nationalistic literary works, with propagandists and revolutionaries advocating for Filipino representation or independence from Spanish authority. Illustrados like Pedro Alejandro Paterno, Graciano Lopez Jaena, Marcelo H. del Pilar, and Jose Rizal contributed to the development of Philippine literature.
Pedro Bucaneg (March 1592 – c. 1630) was a Filipino poet.He is considered the "Father of Ilocano literature."Blind since birth, he is the believed to have authored of parts of the Ilocano epic Biag ni Lam-ang (Life of Lam-ang). [1]
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Reyes's use of the phrase postmodern hero or postmodern text to describe ZsaZsa Zaturnnah the superheroine and graphic novel was further explained by Emilou Lindsay Mata Mendoza and Irene Villarin Gonzaga in their Visual Literacy and Popular Culture in the Philippine Literature Classroom: Teaching Filipino Literature through the Graphic Novel ...
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Marcelino M. Navarra (June 2, 1914 – March 28, 1984) was a Filipino Visayan editor, poet, and writer from Cebu, Philippines.He was regarded as the father of modern Cebuano short story for his use of realism and depictions of fictionalized version of his hometown, barrio Tuyom in Carcar, Cebu.
He was also named 'National Fellow for Poetry' by the University of the Philippines Institute of Creative Writing (U .P. ICW) in 2003. The following year (2004) he was the Philippine awardee of the SEA.Write in Thailand. Cesar Ruiz Aquino's publications include: 'Chronicles of Suspicion' (short fiction and nonfiction, from Kalikasan Press in 1988).
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