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For program sounds applied to the Sensurround Horns, the composite mono soundtrack was used, with its volume and timing regulated by the 25 Hz control tone. 70mm 6-Track Magnetic Stereo: The Sensurround Control Tones were recorded on Tracks 2 and 4 and are 100 Hz instead of 25 Hz and 35 Hz. This was because the magnetic system could not ...
The first was a 36 Hz tone from a cooling tower at the local DaimlerChrysler casting plant and the second was a 10 Hz tone from an air compressor intake at the Haynes International plant. [21] After those devices were corrected, however, reports of the hum persisted. [22] Three hums have been linked to mechanical sources.
For example, if a 530 Hz pure tone is presented to a subject's right ear, while a 520 Hz pure tone is presented to the subject's left ear, the listener will hear beating at a rate of 10 Hz, just as if the two tones were presented monaurally, but the beating will have an element of lateral motion as well.
A programmable sound generator (PSG) is a sound chip that generates (or synthesizes) audio wave signals built from one or more basic waveforms, and often some kind of noise. PSGs use a relatively simple method of creating sound compared to other methods such as frequency modulation synthesis or pulse-code modulation .
A-100: 1959–1965 [14] Same tone-wheel generator as the B-3 / C-3 but with power amp and speakers built into the console, along with a separate Reverb amplifier and speaker. [15] C: 1939–1942 [16] Almost same as Model A-B but with church style cabinet. [16] CV: 1945–1949 [17] Based on Model C, Hammond Vibrato was added.
In telecommunication, a standard test tone is a pure tone with a standardized level generally used for level alignment of single links and of links in tandem. [1]For standardized test signal levels and frequencies, see MIL-STD-188-100 for United States Department of Defense (DOD) use, and the Code of Federal Regulations Title 47, part 68 for other Government agencies.
Two-tone receiver testing using direct injection [8] Two-tone receiver testing using off-air method [9] A test setup suitable for testing receivers at microwave frequencies is shown in the figure. The two signal generators, F1 and F2, are combined using a directional coupler in reverse.
The Fender Bassman was the first amplifier to standardize the tone stack design. Dubbed the 5F6-A from the Fender model number of the amp which first used it, this tone stack offered the performer the ability to control the amplifier's low, mid, and high frequency response independently.
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