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Rosta posters were a highly popularized form of communication used by the Russian government during a short time period between 1919 - 1921. The posters were used to communicate mass messages and propaganda during the Russian Civil War. Once the war came to an end, the Russian government turned to new forms of communication. [1]
Posters used the language spoken in the region they were to be used in, and thus propaganda posters using the Arabic and Latin scripts exist, in addition to Cyrillic. [ 15 ] [ 18 ] Arabic script in posters had begun to be phased out by the 1930s, as the Soviet government promoted Latin-based scripts for speakers of languages such as Azerbaijani ...
The term originated in the Soviet Union as a shortened name for the Department for Agitation and Propaganda (отдел агитации и пропаганды, otdel agitatsii i propagandy), which was part of the central and regional committees of the Communist Party of the Soviet Union. [6]
English. Read; Edit; View history; Tools. ... Pages in category "Soviet propaganda posters" ... Text is available under the Creative Commons Attribution-ShareAlike 4. ...
Propaganda posters had been an important weapon for the Bolsheviks during the Civil War 1918–1921, but they remained in use even after the war's conclusion. After the Civil War and Lenin's institution of the NEP Policy, propaganda posters began increasingly depicting the reforging of Soviet everyday life or byt [31].
Young Pioneers, with their slogan: "Prepare to fight for the cause of the Communist Party" An important goal of Soviet propaganda was to create a New Soviet man.Schools and Communist youth organizations such as the Young Pioneers and Komsomol served to remove children from the "petit-bourgeois" family and indoctrinate the next generation into the "collective way of life".
The posters were not printed but rather painted with cut-out stencils made from cardboard. Once the required number of posters was painted, the stencils were sent to another city and put in circulation throughout the Soviet Union. During the World War II, this approach was reproduced in Tass windows by Kukryniksy.
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