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Stow also published the earliest known drawings of litema – reproductions of eight designs made by the "Bakuena" (the founding clan of the Basotho nation), which he likely drew himself, based on an unpublished letter by Stow in the South African Library in which he recounts visiting a ruined Bakoena kraal (Van Wyk 1998:89). Stow's drawings ...
Arkell used the term "wavy line" to cover a broad range of decorating motifs, including incised wavy lines, which are more cohesive, and dotted wavy lines, which are wavy lines made of small dots. [3] Incised wavy line pottery includes arch-shaped motifs and waves. Dotted wavy line pottery includes short and long waves, as well as arch-shaped ...
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
Kuba Raffia cloth, made by the Kuba of present-day Democratic Republic of Congo Contemporary West African textile designs. African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes.
Like all forms of design, African design is defined by its creativity and continuous evolution. Design is a form of story-telling and it is a medium through which those stories are told. In 2009, Chimamanda Ngozi Adichie spoke on "The Danger of a Single Story" which has become one of the top ten most-viewed TED Talks of all time. For years ...
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Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Because it is usually made by women, patterns and themes of the Adire are passed down from mother to daughter within families. However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual ...
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